ed. Pap. Cambridge, 2007
Book ID: 72928
Surveys the rich history of relationships between the moving and the still image in photography and film, tracing their ever-changing dialogue since early modernism. Includes Akerman, Antonioni, Barthes, Crewsdon, Muybridge, Sherman, Viola, Wall, Cartier-Bresson, Pasolini, Sontag and many others. Part of the Documents of Contemporary Art series.