{"title":"Weekly Newsletter--7\/5\/2025","description":"","products":[{"product_id":"arthur-elrod-desert-modern-design","title":"Arthur Elrod: Desert Modern Design","description":"\u003cp\u003eThe first monograph on Arthur Elrod, design king of the desert in the 1950s,’60s, and ’70s.\u003c\/p\u003e\n\u003cp\u003eArthur Elrod was the most successful interior designer working in the Palm Springs area from 1954 to 1974. His forward-thinking midcentury interior design appeared in primary homes, second houses, third houses, spec houses, country clubs, and experimental houses―in the desert and across the US. He was charming, handsome, and worked tirelessly for his A-list clientele, such as Lucille Ball and Walt Disney. Perhaps his most famous work was done in his own home, known as the Elrod House in Palm Springs, built by architect John Lautner in 1968.\u003cbr\u003e[MORE]\u003c\/p\u003e\n\u003cp\u003eHis rise paralleled the growing modernist movement in desert architecture, and he worked alongside the leading California architects of the day including E. Stewart Williams, William F. Cody, Paul R. Williams, Buff \u0026amp; Hensman, A. Quincy Jones, Wexler \u0026amp; Harrison, Palmer \u0026amp; Krisel, Howard Lapham, Richard Dorman, Edward Fickett and, most famously, John Lautner.\u003c\/p\u003e\n\u003cp\u003eElrod’s life was cut tragically short when the convertible he was riding in was hit by a drunk driver one morning in February 1974; he was 49. This in-depth biography of the midcentury’s wunderkind interior designer, Arthur Elrod, is the first and only of its kind.\u003c\/p\u003e","brand":"Gibbs Smith","offers":[{"title":"Default Title","offer_id":46524354855132,"sku":"S04784","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEWBOOKS0620.jpg?v=1746552430"},{"product_id":"notes-on-peter-eisenman-the-gradual-vanishing-of-architecture","title":"Notes on Peter Eisenman: The Gradual Vanishing of Architecture","description":"\u003cp\u003eA celebration of Peter Eisenman’s illustrious career as architect, thinker, author, and educator\u003cbr\u003e\u003cbr\u003eKnown for his architecture, writing, and teaching, Peter Eisenman (b. 1932) has shaped the field of contemporary architecture through innovative design and thinking. His works include single-family residences such as his “House” series (1968–75) and cultural structures such as the Wexner Center for the Arts, Ohio (1989), and the Memorial to the Murdered Jews of Europe in Berlin (2005). Both his writings and his buildings have integrated architecture with philosophy in a manner that is playful and evocative. 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How does one invent a fish tale, an air-cooled engine, a new plastic? ... fantasy, invention, creativity think; imagination sees.”\u003c\/p\u003e\n\u003cp\u003eNever before translated into English, Bruno Munari’s Fantasy, originally published in Italian in 1977, invites the reader to explore their own imagination, creativity and fantasy through a journey into Munari’s mind and work. His theory of creativity, developed in conversation with the Reggio Emilia Approach (a self-guided approach to education) and the work of Jean Piaget (a Swiss developmental psychologist who proffered a theory termed “genetic epistemology”) foregrounds the book’s journey through Munari’s design processes, both working for clients and teaching design principles to children. By turning both life and work into a classroom, Munari unlocks a path through imagination in order \u003cbr\u003eto access his, and in turn the reader’s, deepest sense of play.\u003cbr\u003e[MORE]\u003c\/p\u003e\n\u003cp\u003eThe facsimile reprint is accompanied by new contextual annotations by Munari scholar and design historian Jeffrey Schnapp. These microinterventions highlight the innovations that make this work as relevant today as when originally published.\u003c\/p\u003e\n\u003cp\u003eBruno Munari (1907–98) was an Italian artist, designer and inventor who contributed fundamentals to many fields of visual arts (painting, sculpture, film, industrial design, graphic design) in Modernism, Futurism and Concrete art, as well as to nonvisual arts (literature, poetry) through his research on games, didactic method, movement, tactile learning, kinesthetic learning and creativity.\u003c\/p\u003e","brand":"Inventory Press","offers":[{"title":"Default Title","offer_id":46531874652380,"sku":"S05151","price":24.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/BrrundMunari-fantasy.jpg?v=1751412909"},{"product_id":"making-the-plus","title":"Making The Plus","description":"\u003cp\u003eIndustrial production is considered one of the biggest sources of pollution in the world. 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Marx’s innovations can be summarized, as author Rossana Vaccarino observes, \"in four general design concepts―the use of native tropical vegetation as a structural element of design, the rupture of symmetrical patterns in the conception of open spaces, the colorful treatment of pavements and the use of free forms in water features.\"\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eIntangible Heritage\u003c\/span\u003e\u003cspan\u003e presents both Marx’s work and teachings, compiling nine of his most seminal lectures written between 1962 and 1983. Illustrated with images of his mosaics and detailed maps, the volume groups Marx’s lectures into three thematic sections: in the first, he explores how botanical expeditions, such as his trip to the Amazonas in 1983, informed his thinking about urban landscapes; in the second, Marx traces facets of landscape architecture to their ancestral origins and discusses the role of subjectivity in the profession; in the third, he delves into society's responsibility to protect the environment. 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In medieval art the garden was a reflection of paradise, a place of harmony and fertility, shielded from worldly problems. By the 18th century this conception had shifted: the garden had become a symbol of worldly power and politics. Today, the Anthropocene, the era in which humankind dominates nature with disastrous consequences, forces us to radically rethink the role we have given the garden historically. 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It gives an insight into where and how Horta conceived his designs. The second part discusses fundamental themes of Horta’s architecture, such as the rhetorical use of structure, the innovative use of materials, and the use of light in the development of the dynamic plan. The third part explores the relation between Horta’s invention of Art Nouveau and the colonial enterprise of King Leopold II. 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Though it operated for only 24 years, this pioneering school played a significant role in fostering avant-garde art, music, dance, and poetry, and an astonishing number of important artists taught or studied there. Among the instructors were Josef and Anni Albers, John Cage, Merce Cunningham, Buckminster Fuller, Karen Karnes, M. C. Richards, and Willem de Kooning, and students included Ruth Asawa, Robert Rauschenberg, and Cy Twombly.\u003cbr\u003e\u003cbr\u003eLeap Before You Look is a singular exploration of this legendary school and of the work of the artists who spent time there. Scholars from a variety of fields contribute original essays about diverse aspects of the College—spanning everything from its farm program to the influence of Bauhaus principles—and about the people and ideas that gave it such a lasting impact. In addition, catalogue entries highlight selected works, including writings, musical compositions, visual arts, and crafts. The book’s fresh approach and rich illustration program convey the atmosphere of creativity and experimentation that was unique to Black Mountain College, and that served as an inspiration to so many. This timely volume will be essential reading for anyone interested in the College and its enduring legacy.\u003cbr\u003e\u003c\/p\u003e","brand":"Wentworth Press","offers":[{"title":"Default Title","offer_id":46635872485596,"sku":"S05556","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/Leapbeforeyoulook-blackmountaincollege-1933to1957.jpg?v=1751488899"},{"product_id":"brick-a-world-history","title":"Brick: A World History","description":"\u003cp\u003eThis totally original architecture book―named 2004 Choice Outstanding Academic Title―follows the story of brick from 5000 BC to its use in building today, from the vast baths and basilicas of ancient Rome, through the wonders of Gothic brick in Germany and the majestic temples of Pagan, to its modern revival.\u003cbr\u003e\u003cbr\u003eMarvelously illustrated with spectacular, specially taken photographs, Brick is at once an historical account of how bricks have been employed by architects of every period, a technical survey of brickmaking and bricklaying, and an essay on architectural and cultural history.\u003cbr\u003e\u003cbr\u003eThe authors have applied their expert visual and technical knowledge to more than one hundred themes, from bricks in ancient Egypt to their distinctive use by such modern masters as Louis Kahn, Alvar Aalto, and Renzo Piano. 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Following a series of acclaimed showcases in France, Japan and Italy, this refined catalog presents the Seguins’ complete collection of Prouvé’s furniture designs, architectural elements and his signature demountable houses.\u003cbr\u003e\u003cbr\u003eFrom Furniture to Architecture builds upon the hit 2013 volume A Passion for Jean Prouvé. With a silkscreen cover printed on canvas, the book is divided into several chapters. The first shows Prouvé’s works in the residential context of the Seguins’ homes. The second chapter generously illustrates the exhibitions in Japan, France and Italy. Following this is an abundantly illustrated index of each piece in the collection, documented with archival and contemporary plans, drawings and images. The final chapter offers an illustrated biography and bibliography.\u003cbr\u003e\u003cbr\u003eJean Prouvé was born in Paris in 1901. 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