{"title":"Weekly Newsletter--11\/07\/2026","description":null,"products":[{"product_id":"grid-systems-in-graphic-design","title":"Grid Systems in Graphic Design","description":"\u003cp\u003eJosef Müller-Brockmann (1914−1996) studied architecture, design and history of art in Zurich and worked as a graphic designer and teacher. His work is recognized for its simple designs and his clean use of fonts, shapes and colors, which still inspires many graphic designers throughout the world today. Since the 1950s grid systems help the designer to organize the graphic elements and have become a world wide standard.\u003c\/p\u003e\u003cp\u003eThis volume provides guidelines and rules for the function and use for grid systems from 8 to 32 grid fields which can be used for the most varied of projects, the three-dimensional grid being treated as well. Exact directions for using all of the grid systems possible presented are given to the user, showing examples of working correctly on a conceptual level. Or simply put: a guidebook from the profession for the profession.\u003c\/p\u003e","brand":"Niggli Verlag","offers":[{"title":"Default Title","offer_id":46486235021532,"sku":"S04808","price":59.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEW4239.jpg?v=1746478233"},{"product_id":"sfabf-helvetica-homage-to-a-typeface","title":"Helvetica: Homage to a Typeface","description":"\u003cp\u003eHelvetica is a sans-serif typeface. It is simple and clean, and commonly seen in advertising, signage, and literature. The R has a curved leg, and the i and j have square dots. The Q has a straight angled tail, and the counterforms inside the O, Q, and C are oval. It is an all-purpose type design that can deliver practically any message clearly and efficiently. It is one of the most popular typefaces of all time. Helvetica: Homage to a Typeface presents 400 examples of Helvetica in action, selected from two diametrically opposed worlds. Superb applications by renowned designers are juxtaposed with an anonymous collection of ugly, ingenious, charming, and hair-raising samples of its use.\u003c\/p\u003e","brand":"Lars Müller Publishers","offers":[{"title":"Default Title","offer_id":46486237184220,"sku":"S04516","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEW-WI20259477.jpg?v=1770930962"},{"product_id":"fantasy","title":"Fantasy","description":"\u003cp\u003eThe first-ever English translation of Bruno Munari’s classic treatise on creativity, replete with new contextualizing annotations\u003cbr\u003e“But isn’t imagination also fantasy? And can’t fantastic images also assume the form of sounds? Musicians speak of sonic images, sound objects. How does one invent a fish tale, an air-cooled engine, a new plastic? ... fantasy, invention, creativity think; imagination sees.”\u003c\/p\u003e\n\u003cp\u003eNever before translated into English, Bruno Munari’s Fantasy, originally published in Italian in 1977, invites the reader to explore their own imagination, creativity and fantasy through a journey into Munari’s mind and work. His theory of creativity, developed in conversation with the Reggio Emilia Approach (a self-guided approach to education) and the work of Jean Piaget (a Swiss developmental psychologist who proffered a theory termed “genetic epistemology”) foregrounds the book’s journey through Munari’s design processes, both working for clients and teaching design principles to children. By turning both life and work into a classroom, Munari unlocks a path through imagination in order \u003cbr\u003eto access his, and in turn the reader’s, deepest sense of play.\u003cbr\u003e[MORE]\u003c\/p\u003e\n\u003cp\u003eThe facsimile reprint is accompanied by new contextual annotations by Munari scholar and design historian Jeffrey Schnapp. These microinterventions highlight the innovations that make this work as relevant today as when originally published.\u003c\/p\u003e\n\u003cp\u003eBruno Munari (1907–98) was an Italian artist, designer and inventor who contributed fundamentals to many fields of visual arts (painting, sculpture, film, industrial design, graphic design) in Modernism, Futurism and Concrete art, as well as to nonvisual arts (literature, poetry) through his research on games, didactic method, movement, tactile learning, kinesthetic learning and creativity.\u003c\/p\u003e","brand":"Inventory Press","offers":[{"title":"Default Title","offer_id":46531874652380,"sku":"S05151","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/BrrundMunari-fantasy.jpg?v=1751412909"},{"product_id":"bruno-munari-square-circle-triangle","title":"Bruno Munari: Square Circle Triangle","description":"\u003cp\u003eIn the early 1960s, Italian design legend Bruno Munari published his visual case studies on shapes: Circle, Square, and, a decade later, Triangle. Using examples from ancient Greece and Egypt, as well as works by Buckminster Fuller, Le Corbusier, and Alvar Aalto, Munari invests the three shapes with specific qualities: the circle relates to the divine, the square signifies safety and enclosure, and the triangle provides a key connective form for designers.\u003cbr data-mce-fragment=\"1\"\u003eOne of the great designers of the twentieth century, Munari contributed to the fields of painting, sculpture, design, and photography while teaching throughout his seventy-year career. 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A curated collection of his essays, written from 1989 to the present day, reflect on outstanding cities, architects and buildings around the world: from New York to Houston, from Erik Gunnar Asplund to Luis Barragán, and from the Kimbell Art Museum to the Crowley House, among others.","brand":"Arquine","offers":[{"title":"Default Title","offer_id":46817139720412,"sku":"S05743","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/2026Q411244.jpg?v=1793818957"},{"product_id":"five-footnotes-toward-an-architecture-sternberg-press-the-incidents","title":"Five Footnotes Toward an Architecture","description":"\u003cp\u003eArchitect Mark Lee presents a body of work on the basis of five considerations: on history, on cadence, on autonomy, on America, and on point.\u003cbr\u003e\u003cbr\u003eOn the occasion of his fifth and final year as Chair of the Department of Architecture at the Harvard University Graduate School of Design, architect and educator Mark Lee strings together five “footnotes”—on history, on cadence, on autonomy, on America, and on point—to assess the relationship between architectural education, research, and professional practice. Evoking a similar position that marked his tenure, Lee delivers a lecture that embraces dialogue, context, and precedent, and rejects the notion of a heroic manifesto in favor of the footnote: “something ancillary, something used for referencing and providing citations for metanarratives that already exist.” And why five? “It’s a ubiquitous number in the culture of architecture. Five orders, five architects, five points.”\u003cbr\u003e\u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":46909955440860,"sku":"S05877","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEW-WI20259366.jpg?v=1770252927"},{"product_id":"chanel-haute-couture","title":"Chanel Haute Couture","description":"\u003cp\u003eAt the age of fifteen, Sofia Coppola took up a summer internship at the Chanel studio in Paris, moving from her family home in Northern California. 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This is evident in the long spans of highways that disinterestedly cut across the Arabian desert, the vast reclamation of the sea along the Gulf Coast and the clearing away of agricultural land to build cities. Technocratic solutions to the problems of living in an arid climate have replaced practices entrenched in land knowledge, and the availability of desalinated water and imported food has oriented the economy toward rent-based urban development, backed by oil revenues. Two Thousand Years of Non-Urban History acts as a primer to an alternative architecture of the Arabian Peninsula through the work of the Bahrain- and Kuwait-based firm Civil Architecture. Its case studies pair examples of pre-oil formal planning and ecological practice with design interventions and proposals for the region.\u003c\/p\u003e\n\u003cp\u003eThis book was published in conjunction with Civil Architecture.\u003c\/p\u003e","brand":"KAPH Books","offers":[{"title":"Default Title","offer_id":47184414933212,"sku":"S06249","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/2026Q411202.jpg?v=1793219977"},{"product_id":"design-and-visual-communication","title":"Design and Visual Communication","description":"\u003cp\u003eA long-overdue English translation of Munari's seminal tract on the everyday value of architecture and design education\u003c\/p\u003e\n\u003cp\u003eThe first ever English translation of Bruno Munari's Design and Visual Communication (1968) fills a gap in Munari's output for the English-speaking world and provides a highly relevant guide to bridging architecture and design education and everyday life.\u003cbr\u003ePublished in 1968 after Munari was invited to the Carpenter Center at Harvard as a successor to György Kepes, the book transforms over 50 lessons, class materials and letters addressed to the city of Milan, into a book on the future of art, architecture and design. Conceived as a living volume, the book is written to inspire current and future designers to push beyond past events, however recent, and develop new tools to see and understand tomorrow's world.\u003c\/p\u003e\n\u003cp\u003eAccompanying the facsimile reproduction of the original volume are in-depth contextual annotations by Jeffrey Schnapp. As a Munari scholar and design historian, Schnapp has spent years unearthing the radical potential of critical historical material. His annotations and micro-interventions throughout the facsimile reprint seek to fulfill Munari's call for an evolution of the book in form and content and highlight how this work is as relevant today as when originally published.\u003c\/p\u003e\n\u003cp\u003eBruno Munari (1907-98) was an Italian artist, designer and inventor who contributed fundamentals to many fields of visual arts (painting, sculpture, film, industrial design, graphic design) in modernism, futurism, and concrete art and in nonvisual arts (literature, poetry) with his research on games, didactic method, movement, tactile learning, kinesthetic learning and creativity.\u003c\/p\u003e","brand":"Inventory Press","offers":[{"title":"Default Title","offer_id":47184423125212,"sku":"S06227","price":32.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEW8363.jpg?v=1763059232"},{"product_id":"erasure-by-design-racial-protocols-of-displacement-demolition-and-extraction","title":"Erasure by Design: Racial Protocols of Displacement","description":"\u003cp\u003eHow has erasure formed the space around us? How do we come to know it, so that we can design differently? \u003ci\u003eErasure by Design\u003c\/i\u003e tracks the methods, terms, and racial protocols that continue to do the work of displacement, demolition, and extraction into the present day. \u003c\/p\u003e\u003cp\u003eThis book travels back and forth in time through scenes of erasure at three primary locations--Southwest, Washington DC (displacement); North St Louis (demolition), and South Los Angeles (extraction). \u003ci\u003eErasure by Design\u003c\/i\u003e shares first person narratives of growing up in the wake of slum clearance--that is, \"urban renewal\"--in Southwest, Washington DC, while assembling archival references that narrate racialized erasure and its legal and spatial precedents. It traces a military complex under construction, where St Louis's cleared grounds and blacked out sites are also defined by satellites, body experiments, explosions, and emptiness. It moves through specific grounds in Los Angeles--dirt walls, hills, oil fields, gas lines, and houses in the forest--to trace how those grounds matter and how their holding intersects with maps that plan erasure, inhabitation, and extraction. \u003c\/p\u003e\u003cp\u003eBetween these three scenes, \u003ci\u003eErasure by Design\u003c\/i\u003e takes on the aesthetics of bad design and good design, as innovated within the intellectual domain of modern architecture at the Museum of Modern Art and Philip Johnson's Glass House. Through a curated cockroach at MoMA--and even the humor, rumors, and gossip about this roach--\u003ci\u003eErasure by Design\u003c\/i\u003e reads the role that the museum invents for exhibiting, curating, and re-shaping policy, worldview, and the built environment, as well as how protocols of erasure, demolition, and design conscript the modern built environment into the policing of human and subhuman. 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Journeying south, they encounter the North Carolinian childhood homes of both influential civil rights activist Anna \"Pauli\" Murray, and revolutionary singer-songwriter Nina Simone. In Atlanta, readers wander into the apartment of incendiary Southern author Margaret Mitchell. In Louisiana, they gaze upon the quietly profound folk art paintings of Clementine Hunter at Melrose Plantation, and take a pilgrimage to writers' homes from the Southern Renaissance, including Flannery O'Connor, William Faulkner, Zora Neale Hurston and Carson McCullers.\u003cbr\u003e\u003cbr\u003eThese Long Shadows assembles a constellation of new visions, narratives and readings with which to examine the nation's ever-metamorphosing historical landscape. 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