{"title":"Weekly Newsletter--09\/20\/25","description":"","products":[{"product_id":"muriel-cooper-the-mit-press","title":"Muriel Cooper","description":"\u003cp\u003eThe career of the pioneering designer Muriel Cooper, whose work spanned media from printed book to software interface; generously illustrated in color.\u003c\/p\u003e\n\u003cp\u003eMuriel Cooper (1925–1994) was the pioneering designer who created the iconic MIT Press colophon (or logo)—seven bars that represent the lowercase letters “mitp” as abstracted books on a shelf. She designed a modernist monument, the encyclopedic volume The Bauhaus (1969), and the graphically dazzling and controversial first edition of Learning from Las Vegas (1972). She used an offset press as an artistic tool, worked with a large-format Polaroid camera, and had an early vision of e-books. Cooper was the first design director of the MIT Press, the cofounder of the Visible Language Workshop at MIT, and the first woman to be granted tenure at MIT’s Media Lab, where she developed software interfaces and taught a new generation of designers. She began her four-decade career at MIT by designing vibrant printed flyers for the Office of Publications; her final projects were digital. This lavishly illustrated volume documents Cooper’s career in abundant detail, with prints, sketches, book covers, posters, mechanicals, student projects, and photographs, from her work in design, teaching, and research at MIT.\u003c\/p\u003e\n\u003cp\u003eA humanist among scientists, Cooper embraced dynamism, simultaneity, transparency, and expressiveness across all the media she worked in. More than two decades after her career came to a premature end, Muriel Cooper’s legacy is still unfolding. 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Each of the illustrations is supplemented with a short description. Taken together, they juxtapose the everyday with the exotic, and the scientific with the artistic, resulting in a highly diverse historical cross-section of human imagination, insight, and progress. An essay by authors Marc Angélil and Cary Siress complements and contextualises the collection.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ruby Press","offers":[{"title":"Default Title","offer_id":46532130603228,"sku":"S04205","price":21.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/Terrestrialtails.jpg?v=1757489376"},{"product_id":"adrian-henri-total-artist","title":"Adrian Henri: Total Artist","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAdrian Henri (1932-2000) was a painter, poet, musician and a pioneer of happenings and events in Britain. This book covers his work from the 1960s and 70s when it was at its most radical, irreverent, innovative and collaborative through paintings, collages, prints, artefacts and ephemera, rock posters, annotated scripts, correspondence and other rare archive material. While concentrating on Henris work in different media, 'Total Artist' captures some of the excitement and dynamics of the 1960s and 70s art scenes in Britain and internationally. 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Their projects range as widely as Granby Four Streets—a community-led project to rebuild a derelict neighborhood in Liverpool—to a brewery in rural Japan and a train depot renovation in Arles.\u003cbr\u003e[MORE]\u003c\/p\u003e\n\u003cp\u003eProviding an essential overview of the group, from their self-initiated temporary projects to their meteoric rise to international acclaim, Aaron Betsky explores how Assemble’s playful and subversive buildings have forged a pioneering new model of progressive architecture that continues to challenge the establishment.\u003c\/p\u003e","brand":"Thames \u0026 Hudson","offers":[{"title":"Default Title","offer_id":46635872551132,"sku":"S05574","price":60.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/Assemble-buildingcollective-thamesandhudson-AaronBetsky.jpg?v=1757914544"},{"product_id":"gilardi-house-barragan-s-last-witness","title":"Gilardi House: Barragan’s Last Witness","description":"\u003cp\u003eIn 1976, 10 years after his retirement from the practice of architecture, Barragan accepted the commission of two young publicists passionate about his architecture and designed the Giraldi House. 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This book not only unpacks original documentation of the project, but also includes critical reflections by contemporary architects and critics who have visited this private house, sharing a critical approach and a unique lesson for today’s architecture.\u003cbr\u003e[MORE]\u003cbr\u003e\u003cbr\u003eWith contributions of Charles Renfro \/ Diller Scofidio + Renfro, Daniel Libeskind, Paul Lewis \/ LTL, Snøhetta, Ricardo Devesa, Julio Jiménez Sarabia, Jorge Vázquez del Mercado, Martín Luque, among many others…\u003c\/p\u003e","brand":"Actar","offers":[{"title":"Default Title","offer_id":46649689866460,"sku":"S05564","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/Gilradihouse-barragans_slastwitness-node-casagilardi.jpg?v=1750439199"},{"product_id":"materiae-palimpsest","title":"Materiae Palimpsest","description":"\u003cp\u003eThis book accompanies the 'Materiae Palimpsest' exhibition at the Moroccan Pavilion’s debut in the 19th Venice Biennale. 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With a revolutionary approach, the book reconstructed the story of the \"graffiti diaspora\" how writing spread from New York City across the globe, to mix with new cultures and produce greater variants in street art. Even today, the youth-led counterculture, which had seemingly peaked in the mid-'80s, is far from dead. On the contrary, old dogmas are overturned, new formal languages become popular and artists continue to experiment with techniques and inventions. Now in a fresh graphic guise, this expanded second edition of All City Writers features 50% more pages than the original, including 190 pages of new content and a 13-page extended timeline. It shines a light on the evolution of graffiti writing from the '90s to the 2020s through interviews, stories and critical essays by researchers including Jacob Kimvall, Robert Kaltenhäuser, François Chastanet, Javier Abarca and Eric Hannerz. Using case studies from cities around the world, these contributors delve deeper into the cultural transformations that graffiti writing is still undergoing to this day, nearly 60 years after its birth. 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