{"title":"Weekly Newsletter--08\/08\/2026","description":null,"products":[{"product_id":"point-line-plane","title":"Point Line Plane","description":"\u003cp\u003eOstensibly a collection of writing that sets out Kengo Kuma's theories of architecture, but also an antivolume, antimegastructure, and in some sense anticapitalist, left-field critique of where the architecture world finds itself today.\u003c\/p\u003e\n\u003cp\u003ePoint Line Plane is architectural theory, but written as narrative, full of intriguing vignettes, such as the fact that in Ancient Rome windows were fitted with slices of marble because glass was so expensive. It's written in a very Japanese form: a series of mini essays that circle around a theme and is aimed at a highly literate audience.\u003c\/p\u003e\n\u003cp\u003eSeventy-two related essays across four sections set out Kuma's rejection of the architecture of volume and mass that categorized the twentieth century in favor of a more ad hoc architecture that can be easily disassembled and, by drawing on tried and tested practices of the past, touch the earth more lightly. 72 black-and-white illustrations\u003c\/p\u003e","brand":"Thames \u0026 Hudson","offers":[{"title":"Default Title","offer_id":46531805282524,"sku":"S05316","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/KengoKuma-PointLinePlane-THames_Hudson1.jpg?v=1746833723"},{"product_id":"kengo-kuma-my-life-as-an-architect-in-tokyo-my-life-as-an-architect-1","title":"Kengo Kuma: My Life as an Architect in Tokyo (My Life as an Architect, 1)","description":"\u003cp\u003eA personal tour of Tokyo’s architecture, as seen through the eyes of one of the world’s most acclaimed architects who is also designing the primary venue for the Tokyo Olympic games.\u003cbr\u003eTokyo is Japan’s cultural and commercial epicenter, bursting with vibrancy and life. Its buildings, both historical and contemporary, are a direct reflection of its history and its people.\u003cbr\u003eKengo Kuma was only ten years old when he found himself so inspired by Tokyo’s cityscape that he decided to become an architect. Here he tells the story of his career through twenty-five inspirational buildings in the city. Kuma’s passion is evident on every page, as well as his curiosity about construction methods and his wealth of knowledge about buildings around the world, making this a unique commentary on Tokyo’s dynamic architecture.\u003cbr\u003eKengo Kuma: My Life as an Architect is an intimate and truly inspiring book, revealing the beauty that exists in the world’s everyday spaces. 50 illustrations\u003c\/p\u003e","brand":"Thames \u0026 Hudson","offers":[{"title":"Default Title","offer_id":46531806232796,"sku":"S05312","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/KengoKuma-MyLifeasanarchitectintokyo-thames_Hudson-2021.jpg?v=1746833733"},{"product_id":"undesigning-the-bath-1","title":"Undesigning The Bath","description":"\u003cp\u003eBlunk Books has reissued Undesigning the Bath, in collaboration with the original author, Leonard Koren, designer Charles De Lisle, and graphic designer Kajsa Ståhl of Åbäke. In the quarter century since its publication, and long since out of print, Undesigning the Bath has accrued a devoted following amongst designers and artists. The book presented a novel idea, coming from an artist and designer: that design is, in some fundamental ways, antithetical to the essential bathing experience. It was the culmination of a many-decade interest of Koren’s, who created bath-related events, unusual bathing environments, and paper works about bathing, including the avant-garde WET: The Magazine of Gourmet Bathing, from 1976–81.\u003c\/p\u003e\n\u003cp\u003eDesigned by Leonard Koren and reissued by Blunk Books.\u003c\/p\u003e","brand":"Blunk Books","offers":[{"title":"Default Title","offer_id":46531891593436,"sku":"S05105","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEW-WI202510364.jpg?v=1785779551"},{"product_id":"weaving-at-black-mountain-college-anni-albers-trude-guermonprez-and-their-students","title":"Weaving at Black Mountain College","description":"\u003cp\u003eA detailed study of the role and legacy of weaving at the legendary Black Mountain College\u003cbr\u003e\u003cbr\u003eIn the mid-twentieth century, Black Mountain College attracted a remarkable roster of artists, architects, and musicians. Yet the weaving classes taught by Anni Albers, Trude Guermonprez, and six other faculty members are rarely mentioned or are often treated as mere craft lessons. This was far from the case: the weaving program was the school’s most sophisticated and successful design program. About ten percent of all Black Mountain College students took at least one class in weaving, including specialists like textile designers Lore Kadden Lindenfeld and Else Regensteiner, as well as students from other disciplines, like artists Ray Johnson and Robert Rauschenberg and architects Don Page and Claude Stoller. Drawing upon a wealth of unpublished material and archival photographs, Weaving at Black Mountain College rewrites history to show how weaving played a much larger role in the legendary art and design curriculum than previously assumed.\u003cbr\u003e\u003cbr\u003eThe book illustrates dozens of objects from private and public collections, many of which have never been shown in this context. Essays explore connections and networks fostered by Black Mountain weavers; the ways in which weaving at the college was linked to larger discourses about weaving and craft; and Bauhaus influences transmitted by way of Anni Albers. The book also includes works by five contemporary artists that connect and respond to the legacy of weaving at Black Mountain College today.\u003cbr\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":46531998351580,"sku":"S04740","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/Weaving-BlackMountainCollege-20231.jpg?v=1746835355"},{"product_id":"constructed-geographies-paulo-mendes-da-rocha","title":"Constructed Geographies: Paulo Mendes da Rocha","description":"\u003cp\u003eThe first major retrospective to emerge from the archive of Paulo Mendes da Rocha, shining important new light on his work\u003cbr\u003e\u003cbr\u003eOne of the most acclaimed architects working in Brazil since the mid-twentieth century, Paulo Mendes da Rocha (1928–2021) began building in the 1950s, championing an approach often associated with “Brutalism” but expanding well beyond it. He is widely recognized for having transformed the urban imprint of São Paulo. His best-known buildings include the Brazilian Museum of Sculpture, remarkable for its engagement with the site and its daring structure; the renovation of the Pinacoteca do Estado, with audacious metallic inserts; and outstanding private houses, starting with his own. In 2006, he became the second Brazilian architect, after Oscar Niemeyer, to win the Pritzker Prize.\u003cbr\u003e\u003cbr\u003eThis retrospective catalogue is the first major publication on Mendes da Rocha since the establishment of his archive at the Casa da Arquitectura in 2021. A team of international scholars provides a comprehensive view of the architect’s trajectory and the collective dimension of his work, along with thematic essays. Mendes da Rocha’s identity as a South American architect interested in the geographic relation between nature and culture is underlined. The book’s contributors explore his concern with the social and anthropogenic impact of the continent’s development, as well as its colonial past and postcolonial future. The volume centers around twelve of his most important buildings and reprints two important essays on Mendes da Rocha’s work. This will be an essential book on this significant figure of global modernism and will point the way for future scholarship on Mendes da Rocha and the architecture of contemporary Brazil.\u003cbr\u003e\u003c\/p\u003e","brand":"Casa da Arquitectura","offers":[{"title":"Default Title","offer_id":46635872387292,"sku":"S05554","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/Paulomendesdarocha-constructedgeographies-casadaarquitectura.jpg?v=1751494066"},{"product_id":"sir-edwin-lutyens-britain-s-greatest-architect","title":"Sir Edwin Lutyens: Britain’s Greatest Architect?","description":"\u003cp\u003e• Professor Clive Aslet, chairman of the Lutyens Trust, reveals the journey behind the buildings designed by Lutyens. This book digs deep into the archives, showcasing both Aslet's knowledge and unseen artwork and stories from the archives of the Lutyens Trust. Both commercial and personal commissions and stories reveal the man behind the persona. Was Sir Edwin Lutyens Britain's Greatest Architect?\u003cbr\u003e\u003cbr\u003eSir Edwin Lutyens (1869-1944) was one of the great architects of the twentieth century. His Edwardian country houses, surrounded by rhapsodic gardens, beguiled clients with their romance and wit. After 1918, the war memorials that he created symbolised a grieving nation's sense of loss. In the new capital of the British Raj, New Delhi, the Viceroy's House or Rashtrapati Bhavan had a footprint bigger than Versailles. His unfinished Liverpool Cathedral would have rivalled St Peter's in Rome.\u003cbr\u003e\u003cbr\u003eIntensely shy, Lutyens hid his personality behind puns and jokes - and yet he could be called ‘part mystic', a reference to an inner profundity. Rich in stories, this entertaining and stylish short biography is a major new study incorporating fresh research which shows this most charismatic of architects in a new light.\u003c\/p\u003e","brand":"Triglyph Books","offers":[{"title":"Default Title","offer_id":46817138606300,"sku":"S05731","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEW-WI20259278.jpg?v=1768527058"},{"product_id":"35s-latelier-de-le-corbusier","title":"35S. L'atelier de Le Corbusier","description":"\u003cp\u003eThis book is the first to explore the history of Le Corbusier’s studio at 35 rue de Sèvres in Paris, known as 35S. It looks at the many artists with whom Le Corbusier worked, including Charlotte Perriand, André Wogenscky, Sahakura, Roger Aujame and Pierre Jeanneret. 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From a bamboo weaver to a tatami mats maker, from a ceramist to a cook who specializes in puddings. The writer and photographer went to visit these makers in their studios and created profound portraits in words and images. Because the craftsmen and women often rely on locally sourced materials, the stories in this book also cover the surroundings. The aim isn’t to provide tourist guide-like information, but to share a taste of various regions in Japan, so this book can also serve as a source of inspiration when you’re planning a trip to the Land of the Rising Sun.","brand":"Mapin Publishing","offers":[{"title":"Default Title","offer_id":46904881610972,"sku":"S05818","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEW8403.jpg?v=1763508678"},{"product_id":"peter-ivens-houses","title":"Peter Ivens - Houses","description":"\u003cp\u003ePeter Ivens is a buzzing and respected name in interior design. The Belgian interior architect is praised for his talent, his timeless style and impeccable realizations. His designs often come about in close collaboration with his partner in crime Bea Mombaers. The two of them have been working together intensively for over a decade, without really dividing their roles in the classic way, blurring the lines between architecture and decoration. For Ivens each house tells its own personal story. ‘Custom-made’ is a core value in his oeuvre: he tailors each home to the specific needs and personality of its residents. No bells and whistles, no loud, showy signature, but silent luxury stemming from a special, sophisticated choice of materials and a unique sense of space. Ivens’ portfolio is prestigious and diverse, yet his style is recognizable. This beautiful coffee-table book, in which each chapter is dedicated to a different house, is the perfect proof. Except for a brief introduction by design journalist Sisse Bro, the photos by Eefje De Coninck and Senne Van der Ven do all the talking, showcasing Ivens’ universe in the most classy and inspiring way.\u003c\/p\u003e","brand":"Luster Publishing","offers":[{"title":"Default Title","offer_id":46904881709276,"sku":"S05817","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEW-WI20259098.jpg?v=1766001185"},{"product_id":"lineage-and-legacy-a-certain-modernism-in-cadaques-english-and-german-edition","title":"Lineage and Legacy: A Certain Modernism in Cadaqués","description":"\u003cp\u003eThis book investigates a particular kind of architecture that thrived in the 1950s in Cadaqués, a small Spanish fishing village on the Costa Brava. It explores a number of holiday houses built between the mid-1950s and 1960s by a group of architects who shared bonds of friendship and architectural affinities, as well as connections with the international Modern movement (including José Antonio Coderch, Lluís Clotet, Federico Correa, Alfonso Milá, Oscar Tusquets, and Manuel Valls). Observations on the common threads that link eight case studies are enriched by a photographic essay by David Grandorge and by detailed architectural drawings on a number of significant projects of the time. An interview with the authors Stephen Bates (Sergison Bates architects, London) and Fernando Villavecchia (Liebman Villavecchia Arquitectos, Barcelona) provides a background to their shared fascination with Cadaqués. A timeline contextualizes the projects against the backdrop of historical events and the milestone in the lives of the clients and architects who made the village a unique locus in the history of architecture.\u003cbr\u003e\u003c\/p\u003e","brand":"Quart Verlag","offers":[{"title":"Default Title","offer_id":46904882004188,"sku":"S05810","price":54.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEW-WI202510410.jpg?v=1785957822"},{"product_id":"notes-on-the-synthesis-of-form","title":"Notes on the Synthesis of Form","description":"\u003cp\u003e\"These notes are about the process of design: the process of inventing things which display new physical order, organization, form, in response to function.\" This book, opening with these words, presents an entirely new theory of the process of design.\u003cbr\u003e \u003cbr\u003e In the first part of the book, Christopher Alexander discusses the process by which a form is adapted to the context of human needs and demands that has called it into being. He shows that such an adaptive process will be successful only if it proceeds piecemeal instead of all at once. It is for this reason that forms from traditional un-self-conscious cultures, molded not by designers but by the slow pattern of changes within tradition, are so beautifully organized and adapted. When the designer, in our own self-conscious culture, is called on to create a form that is adapted to its context he is unsuccessful, because the preconceived categories out of which he builds his picture of the problem do not correspond to the inherent components of the problem, and therefore lead only to the arbitrariness, willfulness, and lack of understanding which plague the design of modern buildings and modern cities.\u003cbr\u003e \u003cbr\u003e In the second part, Mr. Alexander presents a method by which the designer may bring his full creative imagination into play, and yet avoid the traps of irrelevant preconception. He shows that, whenever a problem is stated, it is possible to ignore existing concepts and to create new concepts, out of the structure of the problem itself, which do correspond correctly to what he calls the subsystems of the adaptive process. By treating each of these subsystems as a separate subproblem, the designer can translate the new concepts into form. The form, because of the process, will be well-adapted to its context, non-arbitrary, and correct.\u003cbr\u003e \u003cbr\u003e The mathematics underlying this method, based mainly on set theory, is fully developed in a long appendix. 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From William Morris and the Arts and Crafts movement to expressionism, postmodernism, and green design, Interior Design Since 1900 charts them all.\u003c\/p\u003e\n\u003cp\u003eFeaturing more than two hundred color illustrations of interiors from around the world, this book reveals the fundamental changes in style that occurred throughout the century. The 1900s saw the emergence of professional designers and a growing appetite to redesign homes to keep up with popular fashion. In recent decades, the focus has shifted toward public spaces and sustainable design. In this survey, Anne Massey explores the social, political, economic, and cultural contexts of these developments.\u003c\/p\u003e\n\u003cp\u003eThis book has been a classic introduction to interior design for almost thirty years. The new, fourth edition is brought up-to-date with a chapter on transnational design, encompassing mid-century modernist work in Singapore and Sri Lanka, as well as more recent interior spaces, including luxury hotels in Dubai and a contemporary art museum in Cape Town. 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By revealing the untold stories of female design pioneers, this wide-ranging introduction celebrates their crucial role in the history of modern processes of making.\u003c\/p\u003e\n\u003cp\u003eArranged chronologically, this guide considers the structural barriers to professional success and how women overcame these hurdles, charting the works of designers including Anni Albers at the Bauhaus, the architects Eileen Gray and Zaha Hadid, interior decorator Elsie de Wolfe, and fashion icon Mary Quant. Focusing on the key subjects of architecture, craft, fashion, furniture, graphics, interior, product, and textile design, author Anne Massey explores the link between early twentieth– century revolutionary design and lifestyle, as well as the idea of shopping and consumerism as liberatory. 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The range of his works includes the transformation of ships, the development of housing and the construction of mosques, museums and corporate headquarters. All of his projects have the common feature that they are based on comprehensive research work, aimed at applying an awareness of a specific location and its nature to achieve a high degree of innovation and original expression. This combination of traditional building styles and contemporary architecture often has an inspirational effect.\u003c\/p\u003e\n\u003cp\u003eThe Consciousness Of Place is Chowdhury’s philosophical engagement with his own understanding of architecture, based on his research and lectures. It focuses on the significance of architecture, which is able to connect us to nature and liberate us from hectic urban life. 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