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Anchored by a magnificent set of preparatory drawings for his monument to Franklin Roosevelt in New York City, the notebook provides an intimate glimpse into private sketches of Kahn’s final projects and his poetic reflections on thematic preoccupations, such as “Silence to Light,” “Form and Design,” “Society of Rooms” and “Desire to Express.” Each volume is in a vellum sleeve and both are housed together in a transparent slipcase.\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in Estonia, Louis Kahn (1901–74) immigrated with his family to Philadelphia when he was four years old. 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He was awarded the AIA Gold Medal and the RIBA Gold Medal.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Lars Müller Publishers","offers":[{"title":"Default Title","offer_id":46532051730652,"sku":"S04506","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/TheLastNotebook-LouisI.Kahn-Larsmuller-2024.jpg?v=1746835932"},{"product_id":"sfabf-louis-kahn-on-the-thoughtful-making-of-spaces","title":"Louis Kahn: On the Thoughtful Making of Spaces","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eKAHN, LOUIS | \u003cmeta charset=\"utf-8\"\u003eMerrill, Michael | Zurich, Switzerland | Lars Müller Publishers, 2021 | Softbound | 6.5 x 9.5 in. | 240 pp | Color illustrations\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIt was not by chance that Louis Kahn’s (1901–74) rise to fame coincided with a crisis in modern architecture: his work represented, increasingly with time, those aspects of spatial design which modernism had so ambitiously removed from its program. Kahn’s rethinking of modern architecture’s paradigm of space belongs to his most important contributions to the discipline, and his unbuilt 1965–69 project the Dominican Motherhouse, for Media, Pennsylvania, expresses this perfectly.\u003c\/p\u003e\n\u003cp\u003eA place of worship intended for the Sisters of St. Catherine de Ricci, it includes a sanctuary, a chapel, dormitory cells, classrooms, a kitchen, a meeting room, refectory and an entrance tower. Sadly the project never saw the light, as the Dominican Sisters diminished in numbers and the budget got tighter.\u003c\/p\u003e\n\u003cp\u003eIn this volume we are given a close-up view of Kahn at work on a fundamental questions of architectural space: seeking the sources of its meaning in its social, morphological, landscape and contextual dimensions. A second section sheds new light on several other major works by Kahn. The result of extensive research, illustrated with unpublished archival material and new analytic drawings, this affordable volume is an indispensable companion to Louis Kahn: Drawing to Find Out.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eS04504\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Lars Müller Publishers","offers":[{"title":"Default Title","offer_id":46532051796188,"sku":"S04504","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEW-WI20259486.jpg?v=1771532052"},{"product_id":"sfabf-iwan-baan-brasilia-chandigarh","title":"Iwan Baan: Brasilia–Chandigarh","description":"\u003cp\u003eFirst published by Lars Müller in 2010 and now highly collectible, Brasilia-Chandigarh receives a new printing in a compact format. 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Together these buildings show how architecture, furnishings and tools expressed the needs of everyday life in their design and execution. Traditional handicrafts such as basket-weaving, forging, braiding, spinning, weaving and carving are also kept alive in Ballenberg's on-site workshops.\u003cbr\u003eEdited by Rolf Fehlbaum, entrepreneur and long-time driving force behind Vitra, this beautiful publication is an invitation to discover and explore the world of things with fresh eyes. A Way of Life compiles photographs, observations and discoveries made at Ballenberg by the acclaimed designers Jasper Morrison and David Saik and the architect Tsuyoshi Tane, who all share a fascination with the simple, the practical and the functionally beautiful. In concise, elegant writing, Morrison, Saik and Tane comment on the design ingenuities in various features of the buildings. The book’s superb photography celebrates the traces of wear and tear on door handles, benches, columns, brick tile floors and other architectural details that testify to a bygone ethos of enduring utility and economic common sense. 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Unifying a range of disciplines, van Doesburg describes theory as a necessary consequence of creative practice: artists, he says, “do not write about art but from within art.”\u003c\/p\u003e\n\u003cp\u003ePrinciples of Neo-Plastic Art is a revolutionary synthesis of practice and theory.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eS04491\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Lars Müller Publishers","offers":[{"title":"Default Title","offer_id":46532055269596,"sku":"S04491","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEW-WI20259384.jpg?v=1770332597"},{"product_id":"sfabf-staatliches-bauhaus-in-weimar-1919-1923","title":"Staatliches Bauhaus in Weimar 1919–1923","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMüller, Lars ed. | Zurich, Switzerland | Lars Müller Publishers, 2019 | Hardbound in graphic dust jacket | 9.75 x 9.75 in. | 226 pp | Color \u0026amp; B\/W illustrations \u003cbr\u003e\u003cbr\u003eIn 1919, the state art school in Weimar was reopened as the Bauhaus, under the direction of Walter Gropius and with a radical new teaching approach. Four years later, the first Bauhaus exhibition was held, presenting the school’s novel approach to art, design and education to an enthusiastic public locally and internationally.\u003c\/p\u003e\n\u003cp\u003eThe catalog Staatliches Bauhaus in Weimar 1919–1923 was published in 1923 to accompany this first public showcase. This survey of the school’s transdisciplinary oeuvre put the Bauhaus idea on paper for the first time and gave a sense of its potential. Featuring numerous student and faculty projects, it also describes the theoretical doctrines of Paul Klee, Wassily Kandinsky and Gertrud Grunow, and thus conveys the teaching methods applied in the various workshops. Gropius’ preface explains the structure of the state-run Bauhaus and introduces its unique reform program, which called for and taught the unity of technology and art. Illustrations from the various workshops show projects by students, work that is still largely unexplored today.\u003c\/p\u003e\n\u003cp\u003eWith the original layout by László Moholy-Nagy and a cover designed by Herbert Bayer, this expanded facsimile edition of Staatliches Bauhaus in Weimar 1919–1923—published in Lars Müller’s XX The Century of Print series—sheds light on the work and aspirations of the Bauhaus from its earliest days. New accompanying commentary places this momentous publication, long out of print, in its historical context, documenting the Bauhaus from initial idea to the standing it would attain as a preeminent school of art and design. In this edition, the German facsimile is accompanied by the first full English translation of the catalog, making it newly accessible to an international audience.\u003c\/p\u003e\n\u003cp\u003eS04485\u003c\/p\u003e\n\u003c!----\u003e","brand":"Lars Müller Publishers","offers":[{"title":"Default Title","offer_id":46532055433436,"sku":"S04485","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEW7619.jpg?v=1759949165"},{"product_id":"bauhaus-jornal-1926-1931-facsimile-edition","title":"Bauhaus Journal 1926-1931 Facsimile Edition","description":"\u003cp\u003eOne hundred years after the founding of Bauhaus, it’s time to revisit bauhaus journal as significant written testimony of this iconic movement of modern art. In this journal, published periodically from 1926 to 1931, the most important voices of the movement are heard: masters of the Bauhaus, among others, Josef Albers, Walter Gropius, Wassily Kandinsky, Paul Klee, László Moholy-Nagy, and Oskar Schlemmer, as well as Herbert Bayer, Marcel Breuer, Ludwig Mies van der Rohe, Gerrit Rietveld, and many more.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThey address the developments in and around the Bauhaus, the methods and focal points of their own teaching, and current projects of students and masters. At the time primarily addressed to the members of the “circle of friends of the bauhaus,” the journal published by Gropius and Moholy-Nagy makes tangible the authentic voice of this mouthpiece of the avant-garde. 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Kenzo Tange—Architecture for the World represents the most serious and comprehensive reassessment of Tange in the English language in decades.\u003c\/p\u003e","brand":"Lars Müller Publishers","offers":[{"title":"Default Title","offer_id":46532141744348,"sku":"S04069","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEW-WI202510081.jpg?v=1781719973"},{"product_id":"are-we-human","title":"Are We Human?","description":"\u003cdiv class=\"field field-name-field-book-infotextengl field-type-text-long field-label-hidden\"\u003e\n\u003cdiv class=\"field-items\"\u003e\n\u003cdiv class=\"field-item even is-truncated\"\u003e\n\u003cdiv class=\"field field-name-field-book-infotextengl field-type-text-long field-label-hidden\"\u003e\n\u003cdiv class=\"field-items\"\u003e\n\u003cdiv class=\"field-item even is-truncated\"\u003e\n\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe question “are we human?” is both urgent and ancient. Beatriz Colomina and Mark Wigley offer a multilayered exploration of the intimate relationship between human and design and rethink the philosophy of design in a multidimensional exploration from the very first tools and ornaments to the constant buzz of social media.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe average day involves the experience of thousands of layers of design that reach to outside space but also reach deep into our bodies and brains. Even the planet itself has been completely encrusted by design as a geological layer. There is no longer an outside to the world of design.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eColomina’s and Wigley’s field notes offer an archaeology of the way design has gone viral and is now bigger than the world. 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