{"title":"History \u0026 Theory--Theory","description":"","products":[{"product_id":"heterogeneous-constructions-studies-in-mixed-material-architecture","title":"Heterogeneous Constructions: Studies in Mixed Material Architecture","description":"\u003cp\u003eMost modern buildings are built from diverse materials, but few confront their manifold composition as a question of both design and performance. This book takes a close look at a series of global building traditions and contemporary practices to uncover the possibilities and challenges of working with mixed materials. Visually stunning, color-coded drawings reveal the materials and construction for every project. Through case studies, design experiments and writings, the authors examine the opportunities of heterogeneous construction for contemporary, sustainable, circular, and culturally situated architecture. With contributions by Jeannette Kuo, Ajay Manthripragada, and Jesús Vassallo, and photography by Naho Kubota. Graphic design by Andrew LeClair.\u003cbr\u003eRichly illustrated case studies of lesser-known hybrid construction techniques Beautiful graphic design and unique spot color printing reveal the interrelationships of materials in construction in-depth essays that discuss the technical, cultural, and environmental implications of heterogeneous construction.\u003c\/p\u003e","brand":"Birkhauser","offers":[{"title":"Default Title","offer_id":46484003619036,"sku":"S05192","price":85.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/Heterogeneous-constructions-studiesinmixedmaterialsatchitcture-birkhauser.jpg?v=1744837352"},{"product_id":"seeing-making-room-for-thought","title":"Seeing \u003c—\u003e Making: Room for Thought","description":"\u003cp\u003eRenowned philosopher Susan Buck-Morss collaborates with Kevin McCaughey of Boot Boyz Biz and Adam Michaels of Inventory Press on this experimental image-text renewal of McLuhan, Berger and Benjamin.\u003cbr\u003e\u003cbr\u003eSeeing Making: Room for Thought both studies and presents the creative process of constructing ideas with images. By activating the techniques of montage and analogy, the book reveals a wide field of view and a space to engage new critical connections between a multiplicity of objects from the past and present. Realized through an intergenerational collaboration of three cultural producers committed to making theory visible, a transformative anthology of critical essays by Susan Buck-Morss anchors this kaleidoscopic project. Images and ideas sync with Buck-Morss’ perceptive texts on visual culture, history, politics and aesthetics, fusing criticism with visual play and linking collective imagination and social action.\u003cbr\u003e\u003cbr\u003eIn both design and content, Seeing \u0026lt;—\u0026gt; Making: Room for Thought builds upon the dynamic sensorium of Marshall McLuhan and Quentin Fiore’s book The Medium Is the Massage, Walter Benjamin’s Arcades Project and John Berger’s Ways of Seeing. This innovative volume brings Buck-Morss’ more experimental, visually engaged work to the fore in a way that has not been available in the usual contexts within which her writing has appeared.\u003c\/p\u003e","brand":"Inventory Press","offers":[{"title":"Default Title","offer_id":46486235775196,"sku":"S04603","price":32.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEW-WI20259339.jpg?v=1770153912"},{"product_id":"the-drafty-house-the-beginnings-of-a-fourth-typology","title":"The Drafty House – The Beginnings of a Fourth Typology","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e‘The Drafty House’ shows how architectural typology can bring together the best examples of architectural archetypes and creates a framework where experiences from past building traditions can meet new ideas. 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Presenting new projects alongside historical works from cultures that understand a building’s climate as a dynamic and open concept, the book is illustrated with material experiments, contemporary exhibition projects, and more.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Architectural Publisher B","offers":[{"title":"Default Title","offer_id":46524350890204,"sku":"S05340","price":46.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEWBOOKS00631.jpg?v=1746552274"},{"product_id":"architecture-and-objects-art-after-nature","title":"Architecture and Objects (Art After Nature)","description":"\u003cp\u003eThinking through object-oriented ontology—and the work of architects such as Rem Koolhaas and Zaha Hadid—to explore new concepts of the relationship between form and function\u003cbr\u003e\u003cbr\u003eObject-oriented ontology has become increasingly popular among architectural theorists and practitioners in recent years. Architecture and Objects, the first book on architecture by the founder of object-oriented ontology (OOO), deepens the exchange between architecture and philosophy, providing a new roadmap to OOO’s influence on the language and practice of contemporary architecture and offering new conceptions of the relationship between form and function.\u003c\/p\u003e\n\u003cp\u003eGraham Harman opens with a critique of Heidegger, Derrida, and Deleuze, the three philosophers whose ideas have left the deepest imprint on the field, highlighting the limits of their thinking for architecture. Instead, Harman contends, architecture can employ OOO to reconsider traditional notions of form and function that emphasize their relational characteristics—form with a building’s visual style, function with its stated purpose—and constrain architecture’s possibilities through literalism. Harman challenges these understandings by proposing de-relationalized versions of both (zero-form and zero-function) that together provide a convincing rejoinder to Immanuel Kant’s dismissal of architecture as “impure.”\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e[MORE]\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThrough critical engagement with the writings of Peter Eisenman and fresh assessments of buildings by Rem Koolhaas, Frank Gehry, and Zaha Hadid, Architecture and Objects forwards a bold vision of architecture. Overcoming the difficult task of “zeroing” function, Harman concludes, would place architecture at the forefront of a necessary revitalization of exhausted aesthetic paradigms.\u003c\/p\u003e","brand":"Univ Of Minnesota Press","offers":[{"title":"Default Title","offer_id":46524351185116,"sku":"S05335","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/GRAHAMHARMAN-ARCHITECTUREANDOBJECTS-ARTAFTERNATURE-UNMINESOTA-2022.jpg?v=1746552295"},{"product_id":"architectures-of-colonialism-constructed-histories-conflicting-memories-kulturelle-und-technische-werte-historischer-bauten-9","title":"Architectures of Colonialism: Constructed Histories, Conflicting Memories","description":"\u003cp\u003eThe question of what heritage is and how we deal with it is not a neutral one. Recent events such as the Black Lives Matter movement and the toppling of monuments have made evident how much the colonial past is inscribed in our built environment; at the same time, colonialism continues to affect memorialization and historiography. Hence, those involved in architectural history are challenged to re-consider their positionality. Whose heritage are colonial sites? Which possibly silenced memories are attached to them? How are archives and material evidence reassessed to bring forward the stories of marginalized subjects? Following the call for decolonization, this volume explores historical methodologies and shows the entanglement of narratives at architectural sites, bringing together archaeology, architectural history, and heritage studies.\u003c\/p\u003e\n\u003cp\u003eA contribution to the current debate on decolonization and memorialization.\u003c\/p\u003e","brand":"Birkhauser","offers":[{"title":"Default Title","offer_id":46524354756828,"sku":"S04807","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEWBOOKS1023.jpg?v=1746552418"},{"product_id":"pornotopia-an-essay-on-playboy-s-architecture-and-biopolitics","title":"Pornotopia: An Essay on Playboy’s Architecture and Biopolitics","description":"\u003cp\u003ePublished for the first time in 1953, Playboy was not only the first pornographic popular magazine in America; it also came to embody an entirely new lifestyle through the construction of a series of utopian multimedia spaces — from the Playboy Mansion and fictional Playboy’s Penthouse of 1959 to the Playboy Clubs and hotels appearing around the world in the 1960s. Simultaneously, the invention of the contraceptive pill provided access to a biochemical technique that separated (hetero) sexuality and reproduction.\u003c\/p\u003e\n\u003cp\u003e[MORE]\u003c\/p\u003e\n\u003cp\u003eAddressing these concurrent cultural shifts, Paul Preciado investigates the strategic relationships between space, gender, and sexuality in popular sites related to the production and consumption of pornography that have tended to reside at the margins of traditional histories of architecture: bachelor pads, multimedia rotating beds, and design objects, among others.\u003c\/p\u003e\n\u003cp\u003eCombining historical perspectives with contemporary critical theory, gender and queer theory, porn studies, the history of technology, and a range of primary transdisciplinary sources — treatises on sexuality, medical and pharmaceutical handbooks, architecture journals, erotic magazines, building manuals, and novels — Pornotopia explores the use of architecture as a biopolitical technique for governing sexual relations and the production of gender in the postwar United States.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Zone Books","offers":[{"title":"Default Title","offer_id":46524356329692,"sku":"S04430","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEWBOOKS1025.jpg?v=1746552510"},{"product_id":"material-cultures-material-reform","title":"Material Cultures: Material Reform - Building for a Post-Carbon Future","description":"\u003cp\u003eCo-authored by Amica Dall, Introduction by Charlotte Malterre-Barthes, Photographs by Jess Gough\u003c\/p\u003e\n\u003cp\u003e‘Our current modus operandi can’t support the kinds of futures we envision for ourselves and those to come. As architects, builders, and citizens, we must urgently rethink our relationship to the land and to each other to produce new forms of material practice, culture, and economy in solidarity with people and our landscapes.’\u003c\/p\u003e\n\u003cp\u003e[MORE]\u003c\/p\u003e\n\u003cp\u003eThis book, the first by the design and research practice Material Cultures, assembles a series of short essays and conversations exploring the cultures, systems, and infrastructures that shape the architectural industry and the de­structive ecologies it fosters. The building practices dominating contemporary architecture are rooted in the exploitation of people and the degradation of our landscapes. Here, Paloma Gormley, Summer Islam, and George Massoud explore how this has come about and how alternative systems, with holistic approaches to the built environment, might be formulated.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMaterial Reform\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003epresents a set of instructive and challenging perspectives drawing directly on the dialogues and tensions Material Cultures encounter in their day-to-day work. Texts centred around key concepts including labour, time, maintenance, language, land, and touch are interwoven with a visual essay reckoning with the processes that have transformed industrialised landscapes at different scales of experience and resolution. Through text and visuals, con­cepts and practice, this book explores how developing a direct relationship with materials can help us find new languages with the potential to supersede those we have inherited from a narrow lineage of authors. These discursive threads come together to form a vital sourcebook for rethinking our relationships to materials, land, and development, in all their crucial intersections.\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"MuiGrid-root MuiGrid-container\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":46524356886748,"sku":"S03711","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEW40491.jpg?v=1746552554"},{"product_id":"reyner-banham-a-set-of-actual-tracks","title":"Reyner Banham: A Set of Actual Tracks","description":"\u003cp\u003eReyner Banham: A Set of Actual Tracks brings a contemporary critical lens to the work of Reyner Banham, one of the most prescient architectural and design critics of the 20th century.\u003cbr\u003e\u003cbr\u003eSixteen of the acerbic historian’s essays and book chapters have been selected by the book’s contributors, ranging from classics such as ‘The Great Gizmo’ to lesser-known texts, such as ‘The Wall’, an intimate confession he penned at the hospital shortly before his death. Each is accompanied by a contemporary response that contextualizes Banham’s text, drawing out reflections on what the critic’s work means today.\u003c\/p\u003e","brand":"AA Publications","offers":[{"title":"Default Title","offer_id":46524612673756,"sku":"S05328","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/ReynerBanham-asestofactualtracks-2024.jpg?v=1746568377"},{"product_id":"adhocism-expanded-and-updated-edition-the-case-for-improvisation-the-mit-press","title":"Adhocism, expanded and updated edition: The Case for Improvisation","description":"\u003cp\u003eThe triumphant return of a book that gave us permission to throw out the rulebook, in activities ranging from play to architecture to revolution.\u003c\/p\u003e\n\u003cp\u003eWhen this book first appeared in 1972, it was part of the spirit that would define a new architecture and design era—a new way of thinking ready to move beyond the purist doctrines and formal models of modernism. Charles Jencks and Nathan Silver's book was a manifesto for a generation that took pleasure in doing things ad hoc, using materials at hand to solve real-world problems.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e[MORE]\u003cbr\u003eThe implications were subversive. Turned-off citizens of the 1970s immediately adopted the book as a DIY guide. The word “adhocism” entered the vocabulary, the concept of adhocism became part of the designer's toolkit, and Adhocism became a cult classic. Now Adhocism is available again, with new texts by Jencks and Silver reflecting on the past forty years of adhocism and new illustrations demonstrating adhocism's continuing relevance.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAdhocism has always been around. (Think Robinson Crusoe, making a raft and then a shelter from the wreck of his ship.) As a design principle, adhocism starts with everyday improvisations: a bottle as a candleholder, a dictionary as a doorstop, a tractor seat on wheels as a dining room chair. But it is also an undeveloped force within the way we approach almost every activity, from play to architecture to city planning to political revolution.\u003c\/p\u003e\n\u003cp\u003eEngagingly written, filled with pictures and examples from areas as diverse as auto mechanics and biology, Adhocism urges us to pay less attention to the rulebook and more to the real principle of how we actually do things. 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The rare work of irresistibly inviting philosophy, Bachelard’s seminal work brims with quiet revelations and stirring, mysterious imagery. This lyrical journey takes as its premise the emergence of the poetic image and finds an ideal metaphor in the intimate spaces of our homes. Guiding us through a stream of meditations on poetry, art, and the blooming of consciousness itself, Bachelard examines the domestic places that shape and hold our dreams and memories. Houses and rooms; cellars and attics; drawers, chests, and wardrobes; nests and shells; nooks and corners: No space is too vast or too small to be filled by our thoughts and our reveries. In Bachelard’s enchanting spaces, “We are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.”\u003cbr\u003e\u003cbr\u003eThis new edition features a foreword by Mark Z. 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On his travels he ponders Thoreau’s eager seclusion in Walden Woods; the reason Rimbaud walked in a fury, while Nerval rambled to cure his melancholy. He shows us how Rousseau walked in order to think, while Nietzsche wandered the mountainside to write. In contrast, Kant marched through his hometown every day, exactly at the same hour, to escape the compulsion of thought. Brilliant and erudite, A Philosophy of Walking is an entertaining and insightful manifesto for putting one foot in front of the other.\u003c\/p\u003e","brand":"Verso","offers":[{"title":"Default Title","offer_id":46529533051100,"sku":"S05154","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/APhilopsphyofWalking-FredericGros-Newedition.jpg?v=1746767602"},{"product_id":"point-line-plane","title":"Point Line Plane","description":"\u003cp\u003eOstensibly a collection of writing that sets out Kengo Kuma's theories of architecture, but also an antivolume, antimegastructure, and in some sense anticapitalist, left-field critique of where the architecture world finds itself today.\u003c\/p\u003e\n\u003cp\u003ePoint Line Plane is architectural theory, but written as narrative, full of intriguing vignettes, such as the fact that in Ancient Rome windows were fitted with slices of marble because glass was so expensive. 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Anchoring the many representations of light is a photographic essay that reminds us that access to artificial light in many regions of the world remains a privilege rather than a right.\u003c\/p\u003e\n\u003cp\u003eThe book’s first chapter, Archeology of Light, investigates light’s origins, measurement, and capture across diverse cultures, bringing forward marginalized and non-Western perspectives through a series of illustrations. Without Light unfolds as a photographic essay by Laurian Ghinitoiu documenting Beirut’s electricity crisis and features the Stone Garden housing project realized by Lina Ghotmeh – Architecture. The final chapter, Material Light, showcases a series of ink drawings by the architect, offering personal reflections on the relationship of light, water, and the natural world.\u003c\/p\u003e\n\u003cp\u003eWindows of Light is a richly layered narrative that connects past and present, offering a new lens through which to view the integral role of light in our lives. 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It is a concrete example at the Center's theories in practice, showing in simple detail, with numerous illustrations, how to implement six guiding principles: organic order, participation, piecemeal growth, patterns, diagnosis, and coordination.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"New","offer_id":50112466747612,"sku":"S05204","price":72.0,"currency_code":"USD","in_stock":true},{"title":"Ex Libris","offer_id":50112466780380,"sku":"F05205","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEW-WI20259615.jpg?v=1772737182"},{"product_id":"the-lighted-window-evening-walks-remembered-1","title":"The Lighted Window: Evening Walks Remembered","description":"\u003cp\u003eOffering a combination of place-writing, memoir, and cultural study, Peter Davidson examines the motif of the lighted window.\u003cbr\u003e\u003cbr\u003eHomecoming, haunting, nostalgia, desire. These are some of the themes evoked by the beguiling image of the lighted window. In this innovative book, Peter Davidson is our guide, taking us on atmospheric walks through nocturnal cities in Britain, Europe, North America, and the field paths of rural England.\u003cbr\u003e\u003cbr\u003eSurveying a wide range of material, the book extends from early romantic painting to contemporary fiction. Davidson features familiar lighted windows in English literature, turning to the works of poets such as Thomas Hardy and Matthew Arnold and the novels of Virginia Woolf, Arthur Conan Doyle, and Kenneth Grahame. The Lighted Window also considers the painted nocturnes of James Whistler, John Atkinson Grimshaw, and the ruralist Samuel Palmer; Japanese prints of the nineteenth and twentieth centuries; Proust and the painters of the French belle époque; René Magritte’s L’Empire des Lumières; and North American painters such as Edward Hopper and Linden Frederick.\u003cbr\u003e\u003cbr\u003eBy interpreting the interactions of art, literature, and geography around this evocative motif, Peter Davidson shows how the lighted window has inspired an extraordinary variety of moods and ideas, from the romantic period to the present day.\u003c\/p\u003e","brand":"Bodleian Library, University of Oxford","offers":[{"title":"Default Title","offer_id":46531962732764,"sku":"S04969","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEW-WI20258711.jpg?v=1763666770"},{"product_id":"concrete-approximations-in-pursuit-of-absolute-space-applied-research-and-design-publishing","title":"Concrete Approximations: In Pursuit of Absolute Space","description":"Concrete is ubiquitous but contentious: culturally, environmentally, and often politically. 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In this book, two key projects are laid bare, manifesting a shift in the work from an early preoccupation with material responsiveness, to one that additionally addresses concepts of spatiality and its relation to the proposed idea of augmented materiality.","brand":"Applied Research \u0026 Design","offers":[{"title":"Default Title","offer_id":46531972464860,"sku":"S04907","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEW-WI20259760.jpg?v=1775586958"},{"product_id":"what-design-can-t-do","title":"What Design Can't Do","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eLorusso, Silvio | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAmsterdam, the Netherlands\u003c\/span\u003e | Set Margins' Publications, 2024 | Softbound | 5 x 8 in. | 352 pp | B\/W illustrations\u003c\/p\u003e\n\u003cp\u003eIn focusing on creating preferable conditions, the discipline of design is optimistic by default. And yet, vernacular manifestations of skepticism, dissatisfaction and even resentment toward design abound. Instead of systematically discarding them, can these \"sad passions\" shed a valuable light on the blind spots of the field? Can disillusion be something more than disillusionment? Can it become an emotional method to unveil design’s dysfunctions and contradictions?\u003cbr\u003eAuthor Silvio Lorusso looks into historical and present manifestations of design disillusion to shorten the gap between expectations and reality when it comes to the everyday practice of designers. Using humorous and irreverent visuals, often containing jokes about design, Lorusso constructs thoughtful dichotomies on such topics as synthesis and autonomy, power and impotence, and aspirations and compromise. The result is an amusing yet academic consideration of the design profession and its future.\u003c\/p\u003e\n\u003cp\u003eS04610\u003c\/p\u003e\n\u003c!----\u003e","brand":"Set Margins' Publications","offers":[{"title":"Default Title","offer_id":46532025909468,"sku":"S04610","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/WhatDesignCan_tdo-esaysondesignanddisillusion-silvioLorisso-setmargins_26-2023.jpg?v=1746835694"},{"product_id":"sfabf-rarities-r-buckminster-fuller-pattern-thinking","title":"R. Buckminster Fuller Pattern-Thinking","description":"\u003cp\u003ePattern-Thinking reassesses the work of Buckminster Fuller—unique hybrid between theoretician, architect, designer, educator, inventor, and author—as advancing contemporary models of design research, practice, and pedagogy. Drawing extensively on Fuller’s archive, the book follows his unique process of translation between the physical and conceptual dimensions of design, to redefine our understanding of the relationships between geometry, structure, language, and intellectual property.\u003c\/p\u003e\n\u003cp\u003eRather than being organized around a chronology of distinct narratives, Pattern-Thinking follows these parallel explorations as the basis for Fuller’s artifacts and inventions. In the space between lines, models, words, and patents, it traces his ambition to measure physical experience in an ever-expanding pattern of relationships, while coordinating these into a conceptual network of words and concepts that shape the basis for his thinking. Advocating a multidisciplinary and political perspective, Fuller’s transversal logic expands the knowledge base of contemporary models of design, which seek to find broader participation and to address new publics.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Lars Müller Publishers","offers":[{"title":"Default Title","offer_id":46532042817756,"sku":"S04534","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/R.BuckministerFuller-PatternThinking-DanielLopezPerez-LarsMullerpubl-2024.jpg?v=1746835845"},{"product_id":"bernard-rudofsky-designer-of-the-art-of-living","title":"Bernard Rudofsky. Designer Of The Art Of Living","description":"\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eBernard Rudofsky's work in Japanese. No English text.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Kajima Institute","offers":[{"title":"Default Title","offer_id":46532071325916,"sku":"S04444","price":58.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEW-WI20258978.jpg?v=1765395566"},{"product_id":"peter-zumthor-atmospheres","title":"Peter Zumthor: Atmospheres","description":"\u003cp\u003e\u003cspan class=\"a-text-italic\"\u003eAtmospheres\u003c\/span\u003e\u003cspan\u003e is a poetics of architecture and a window into Zumthor’s personal sources of inspiration. In nine short, illustrated chapters framed as a process of self-observation, Zumthor describes what he has on his mind as he sets about creating the atmosphere of his buildings: images of spaces and buildings that affect him are every bit as important as particular pieces of music or books that inspire him.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Birkhauser","offers":[{"title":"Default Title","offer_id":46532076863708,"sku":"S04411","price":49.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEW6361.jpg?v=1755327440"},{"product_id":"a-pattern-language-towns-buildings-construction","title":"A Pattern Language: Towns, Buildings, Construction","description":"\u003cp\u003eChristopher Alexander | Oxford University Press\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eYou can use this book to design a house for yourself with your family; you can use it to work with your neighbors to improve your town and neighborhood; you can use it to design an office, or a workshop, or a public building. And you can use it to guide you in the actual process of construction.\u003cbr\u003e\u003cbr\u003eAfter a ten-year silence, Christopher Alexander and his colleagues at the Center for Environmental Structure are now publishing a major statement in the form of three books which will, in their words, \"lay the basis for an entirely new approach to architecture, building and planning, which will we hope replace existing ideas and practices entirely.\" The three books are \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Timeless Way of Building\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Oregon Experiment\u003c\/span\u003e\u003cspan\u003e, and this book, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eA Pattern Language\u003c\/span\u003e\u003cspan\u003e.\u003cbr\u003e\u003cbr\u003eAt the core of these books is the idea that people should design for themselves their own houses, streets, and communities. This idea may be radical (it implies a radical transformation of the architectural profession) but it comes simply from the observation that most of the wonderful places of the world were not made by architects but by the people.\u003cbr\u003e\u003cbr\u003eAt the core of the books, too, is the point that in designing their environments people always rely on certain \"languages,\" which, like the languages we speak, allow them to articulate and communicate an infinite variety of designs within a forma system which gives them coherence. This book provides a language of this kind. It will enable a person to make a design for almost any kind of building, or any part of the built environment.\u003cbr\u003e\u003cbr\u003e\"Patterns,\" the units of this language, are answers to design problems (How high should a window sill be? How many stories should a building have? How much space in a neighborhood should be devoted to grass and trees?). More than 250 of the patterns in this pattern language are given: each consists of a problem statement, a discussion of the problem with an illustration, and a solution. As the authors say in their introduction, many of the patterns are archetypal, so deeply rooted in the nature of things that it seemly likely that they will be a part of human nature, and human action, as much in five hundred years as they are today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eHardbound | 1216 pp | B\/W Illustrations | 5.75\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e x 8 in. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eS04391\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46532079124700,"sku":"S04391","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEW-WI20259688.jpg?v=1774308683"},{"product_id":"chambers-for-a-memory-palace-1","title":"Chambers for A Memory Palace","description":"\u003cp\u003eThis ode to the spirit of place consists of an exchange of letters in which one author recalls and the other responds to the elements considered essential to the art of successful place-making. Each of the book's chapters forms a chamber, and each chamber is inscribed with the authors' personal observations.\u003c\/p\u003e\n\u003cp\u003eThis collaboration between two distinguished architects and former colleagues is a joyous celebration of admired places and a thoughtful consideration of the role that design has played in giving these places their memorable qualities. It is also an invitation to readers to inhabit the chambers of the book with their own imaginations to join in the making of the Memory Palace proposed. The authors' informal, witty, and anecdotal style extends to the illustrations—the freehand travel sketches, line drawings, and watercolors of places they have remembered and enjoyed. Chambers for a Memory Palace consists of an exchange of letters in which one author recalls and the other responds to the elements considered essential to the art of successful place-making. Each of the book's chapters forms a chamber, and each chamber is inscribed with personal observations on the composition of places and the architectural elements central to each building, garden, court, monument, or open space described. The examples considered in these dialogues range from classic Western tradition to Asian temples and Islamic tombs, from ancient ruins to modern cities. In \"Axes that Reach\/Paths that Wander,\" Lyndon and Moore discuss the Cranbrook Academy of Art in Bloomfield Hills, the Taj Mahal in Agra, Vaux le Vicomte in France, the Beverly Hills Civic Center, and the Kimbell Museum in Forth Worth. In \"Orchards that Measure\/Pilasters that Temper,\" they consider the rhythmic spacing of elements in the Mosque at Cordoba, the Cathedral at Bourges, the thousand-pillared mandapas of South Indian temples, the facades of Schauspielhaus in Berlin, and the Seagram building in New York City. They use these and many other examples to illustrate the ways in which architecture, experience, and memory intertwine to help us experience events and places.\u003c\/p\u003e","brand":"MIT Press","offers":[{"title":"Default Title","offer_id":46532098293980,"sku":"S04337","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/Chambers_For_a_Memory_Palace_Donlyn_Lyndon.jpg?v=1747259672"},{"product_id":"the-eternal-present-volume-i-the-beginnings-of-art","title":"The Eternal Present, Volume I: The Beginnings of Art","description":"\u003cp\u003eSigfried Giedion | Princeton University Press 2023\u003c\/p\u003e\n\u003cp\u003eIn The Beginnings of Art, Sigfried Giedion, best known as a historian of architecture, shifts his attention to art and its very origins. Breaking with an earlier, materialistic approach, he explores paleolithic art by bringing abstraction, transparency, and simultaneity into play as modern art has revealed them anew. Focusing on the dual concepts of constancy and change, he examines paleolithic paintings, engravings, and sculpture, as well as modern art and recent examples of “primitive art.” He argues that the two keys to the meaning of prehistoric art are the symbol, portraying reality before reality exists, and the animal as humankind’s superior in the unified primordial world in which both human and animal were embedded. The result is a highly original and important study of prehistoric art.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e616 pp\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e | 8\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-fragment=\"1\"\u003e x 10\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-fragment=\"1\"\u003e in. | B\u0026amp;W Illustrations | Paperback\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eS04292\u003c\/span\u003e\u003c\/p\u003e","brand":"Princeton University Press","offers":[{"title":"Default Title","offer_id":46532106748124,"sku":"S04292","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEW-WI20258762.jpg?v=1764096768"},{"product_id":"the-eyes-of-the-skin-architecture-and-the-senses-1","title":"The Eyes of the Skin: Architecture and the Senses","description":"\u003cp\u003eFirst published in 1996, The Eyes of the Skin has become a classic of architectural theory. It asks the far-reaching question why, when there are five senses, has one single sense – sight – become so predominant in architectural culture and design? With the ascendancy of the digital and the all-pervasive use of the image electronically, it is a subject that has become all the more pressing and topical since the first edition’s publication in the mid-1990s. Juhani Pallasmaa argues that the suppression of the other four sensory realms has led to the overall impoverishment of our built environment, often diminishing the emphasis on the spatial experience of a building and architecture’s ability to inspire, engage and be wholly life enhancing.\u003cbr\u003e\u003cbr\u003eFor every student studying Pallasmaa’s classic text for the first time, The Eyes of the Skin is a revelation. It compellingly provides a totally fresh insight into architectural culture. This third edition meets readers’ desire for a further understanding of the context of Pallasmaa’s thinking by providing a new essay by architectural author and educator Peter MacKeith. This text combines both a biographical portrait of Pallasmaa and an outline of his architectural thinking, its origins and its relationship to the wider context of Nordic and European thought, past and present. The focus of the essay is on the fundamental humanity, insight and sensitivity of Pallasmaa’s approach to architecture, bringing him closer to the reader. This is illustrated by Pallasmaa’s sketches and photographs of his own work. The new edition also provides a foreword by the internationally renowned architect Steven Holl and a revised introduction by Pallasmaa himself.\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Wiley","offers":[{"title":"Default Title","offer_id":46532106977500,"sku":"S04288","price":32.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEWBOOKS11871.jpg?v=1747424686"},{"product_id":"inscriptions-architecture-before-speech","title":"Inscriptions: Architecture Before Speech","description":"\u003cp\u003eMichael K. Hays and Andrew Holder eds. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eHarvard University Press 2022\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"sticky-author\"\u003e\n\u003cdiv class=\"lists authors lists--unstyled text-lg-left text-sm-center no-view-more view-more-ellipsis\"\u003eSKU S04138\u003cbr\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-detail-description-text\" itemprop=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"handle\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eInscriptions: Architecture Before Speech presents a theory of contemporary architecture that spans the work of 112 practices in 750 images. Against the popular characterization of contemporary architecture as a centerless field where anything goes and everything is possible, this book argues that much recent work belongs to a collective undertaking. Underneath the impression of kaleidoscopic difference produced by the rapid circulation of design images is a shared mechanism, an agreement about how architectural objects emerge from the procedures of design. This mechanism, which we call inscription, manages to both offer fundamentally intelligible form to architecture’s audiences and advance the field toward novel outcomes. The ensuing work is nothing less than democratically optimistic in its wide appeal and challenging in its cuts against convention.\u003c\/p\u003e\n\u003cp\u003e624 pages, 8-1\/2 x 11 inches, hardcover. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-detail-description-text\" itemprop=\"description\"\u003e\n\u003cdiv class=\"handle\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row product-detail-custom-fields-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"row product-detail-custom-fields-container\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Harvard University Press","offers":[{"title":"Default Title","offer_id":46532133880028,"sku":"S04138","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEW-WI20259225_b62c02ae-1b69-48be-8e3a-d82985b2b996.jpg?v=1768331271"},{"product_id":"the-shape-of-utopia-the-architecture-of-radical-reform-in-nineteenth-century-america","title":"The Shape of Utopia: The Architecture of Radical Reform in Nineteenth-Century America","description":"\u003cdiv class=\"product-detail-description-text\"\u003e\n\u003cdiv class=\"handle\"\u003e\n\u003cp\u003eIn the middle of the nineteenth century, a utopian impulse flourished in the United States through the circulation of architectural and urban plans predicated on geometrically distinct designs. Though the majority of such plans remained unrealized,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Shape of Utopia\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eemphasizes the enduring importance of these radical propositions and their ability to visualize alternatives to what was then a newly emerging capitalist nation.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDrawing diagrammatic plans for structures such as octagonal houses, a hexagonal anarchist city, and circular centers of equitable commerce, these various architectural utopians applied geometric forms to envision a more just and harmonious society. Highlighting the inherent political capacity of architecture, Irene Cheng showcases how these visionary planners used their blueprints as persuasive visual rhetoric that could mobilize others to share in their aspirations for a better world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOffering an extensive and uniquely focused view of mid-nineteenth-century America’s rapidly changing cultural landscape, this book examines these utopian plans within the context of significant economic and technological transformation, encompassing movements such as phrenology, anarchism, and spiritualism. Engaging equally with architectural history, visual culture studies, and U.S. history, \u003c\/span\u003e\u003cem\u003eThe Shape of Utopia\u003c\/em\u003e\u003cspan\u003e documents a pivotal moment in American history when ordinary people ardently believed in the potential to reshape society.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"University of Minnesota Press","offers":[{"title":"Default Title","offer_id":46532134469852,"sku":"S04119","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/Theshapeofutopia-thearchitectureofradicalreforminnineteeth-centuryAmerica-IreneCheng-2023.jpg?v=1746836844"},{"product_id":"architecture-of-coexistence-building-pluralism","title":"Architecture of Coexistence: Building Pluralism","description":"\u003cp\u003eEdited by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAzra Akšamija\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArchitangle 2020\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"sticky-author\"\u003e\n\u003cdiv class=\"lists authors lists--unstyled text-lg-left text-sm-center no-view-more view-more-ellipsis\"\u003eSKU S04117\u003cbr\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv itemprop=\"description\" class=\"product-detail-description-text\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"handle\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThis book investigates how architecture can shape an open-minded and inclusive society, highlighting three internationally renowned projects: the White Mosque in Visoko, Bosnia-Herzegovina (1980); the Islamic Cemetery Altach, Austria (2012); and Superkilen park in Copenhagen, Denmark (2011). \u003cbr\u003e\u003cbr\u003eScholarly essays across various disciplines, along with interviews with the architects and users of these projects, provide intriguing insights into architecture’s ability to bridge cultural divides. Soliciting a wide array of questions about migration, transculturalism, visibility, inclusion, and exclusion, the book sheds light on the long-term social processes generated between architectural form and its users.\u003cbr\u003e\u003cbr\u003eArchitecture of Coexistence offers a truly interdisciplinary perspective on a very timely subject: “Building pluralism” means designing for a respectful inclusion of different cultural needs, practices, and traditions. \u003cbr\u003e\u003cbr\u003eWith contributions by Azra Akšamija, Mohammad al-Asad, Ali S. Asani, Simon Burtscher-Matis, Amila Buturović, Farrokh Derakhshani, Robert Fabach, Eva Grabherr, Amra Hadžimuhamedović, Tina Gudrun Jensen, Jennifer Mack, Nasser Rabbat, Barbara Steiner, Helen Walasek, and Wolfgang Welsch.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6.7 x 9.6 in, \u003cmeta charset=\"utf-8\"\u003eapprox. 100 illustrations, 292 pages, hardcover. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003ePhoto essays by Velibor Božović, Cemal Emden, Jesper Lambaek, and Nikolaus Walter.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row product-detail-custom-fields-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"row product-detail-custom-fields-container\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Architangle","offers":[{"title":"Default Title","offer_id":46532134535388,"sku":"S04117","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEW8072.jpg?v=1762465804"},{"product_id":"architectures-historical-turn-phenomenology-and-the-rise-of-the-postmodern","title":"Architecture's Historical Turn: Phenomenology and the Rise of the Postmodern","description":"\u003cp\u003eArchitecture’s Historical Turnthe hidden history of architectural phenomenology, a movement that reflected a key turning point in the early phases of postmodernism and a legitimating source for those architects who first dared to confront history as an intellectual problem and not merely as a stylistic question.\u003c\/p\u003e\n\u003cp\u003eJorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after World War II, Otero-Pailos contends, architectural history was a problem rather than a given. Paradoxically, their awareness of modernism’s historicity led some of them to search for an ahistorical experiential constant that might underpin all architectural expression. They drew from phenomenology, exploring the work of Bachelard, Merleau-Ponty, Heidegger, and Ricoeur, which they translated for architectural audiences. Initially, the concept that experience could be a timeless architectural language provided a unifying intellectual basis for the stylistic pluralism that characterized postmodernism. It helped give theory—especially the theory of architectural history—a new importance over practice. However, as Otero-Pailos makes clear, architectural phenomenologists could not accept the idea of theory as an end in itself. In the mid-1980s they were caught in the contradictory and untenable position of having to formulate their own demotion of theory.\u003c\/p\u003e\n\u003cp\u003eOtero-Pailos reveals how, ultimately, the rise of architectural phenomenology played a crucial double role in the rise of postmodernism, creating the antimodern specter of a historical consciousness and offering the modern notion of essential experience as the means to defeat it.\u003c\/p\u003e","brand":"University Of Minnesota Press","offers":[{"title":"Default Title","offer_id":46532134600924,"sku":"S04115","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/architedcture_shistoricalturn.jpg?v=1752094574"},{"product_id":"architectural-theory-pioneering-texts-of-architecture-from-the-renaissance-to-today","title":"Architectural Theory: Pioneering Texts of Architecture from the Renaissance to Today","description":"\u003cdiv class=\"sticky-author\" id=\"pdp-header-sticky-author\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHere are the most influential architectural essays written since the Renaissance, \u003c\/span\u003ecopiously illustrated, in a great book for anyone interested in what architects say about their craft\u003cspan\u003e. 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It starts with two premises: an interest in walking envisaged as a relational practice and tactic enabling us to read and rewrite space; an interpretation of scores understood as open invitations and catalysers of action in the tradition of Fluxus event scores.\u003cbr\u003e\u003c\/p\u003e","brand":"Les Presses Du Reel","offers":[{"title":"Default Title","offer_id":46532148134108,"sku":"S03935","price":42.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/walkingfromscores-elenabiserna.jpg?v=1751494886"},{"product_id":"on-architecture-1","title":"Vitruvius On Architecture","description":"\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eIn\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eDe architectura\u003c\/em\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e(c.40 BC), Vitruvius discusses in ten encyclopedic chapters aspects of Roman architecture, engineering and city planning. Vitruvius also included a section on human proportions. Because it is the only antique treatise on architecture to have survived, De architectura has been an invaluable source of information for scholars. The rediscovery of Vitruvius during the Renaissance greatly fueled the revival of classicism during that and subsequent periods. Numerous architectural treatises were based in part or inspired by Vitruvius, beginning with Leon Battista Alberti’s\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eDe re aedificatoria\u003c\/em\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e(1485).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.\u003c\/p\u003e\n\u003cdiv class=\"handle\"\u003e\n\u003cdiv data-mce-fragment=\"1\" id=\"mobile-about-the-book\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"slot product-about 9781619025622 isbn-related seemoreenable show opened\" id=\"seemore-0\"\u003e\n\u003csection data-mce-fragment=\"1\" class=\"overview\"\u003e\n\u003cdiv id=\"left-rail-top\" class=\"product-body clearfix\"\u003e\n\u003cdiv id=\"mobile-listen-to-a-clip\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/div\u003e","brand":"Penguin","offers":[{"title":"Default Title","offer_id":46532150788316,"sku":"S03899","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/Monographs-M7610.jpg?v=1759948120"},{"product_id":"the-architecture-of-disability-buildings-cities-and-landscapes-beyond-access","title":"The Architecture of Disability: Buildings, Cities, and Landscapes Beyond Access","description":"\u003cp\u003eA radical critique of architecture that places disability at the heart of the built environment.\u003c\/p\u003e\n\u003cdiv data-max-height=\"243\" id=\"example-collapse-truncated-1\" class=\"collapse-truncated collapse show\"\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBy recontextualizing the history of architecture through the discourse of disability, this book presents a unique challenge to current modes of architectural practice, theory, and education. Envisioning an architectural design that fully integrates disabled persons into its production, it advocates for looking beyond traditional notions of accessibility and shows how certain incapacities can help to positively reimagine the roots of architecture.\u003c\/p\u003e","brand":"University of Minnesota","offers":[{"title":"Default Title","offer_id":46532151640284,"sku":"S03888","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/thearchitecturedisability.jpg?v=1752095684"},{"product_id":"the-brutalists-brutalism-s-best-architects","title":"The Brutalists: Brutalism’s Best Architects","description":"\u003cdiv class=\"product-detail-description-text\"\u003e\n\u003cdiv class=\"product-detail-description-text\"\u003e\n\u003cp\u003eAn unprecedented survey of more than 250 architects who continue to define one of the most polarizing yet celebrated of styles.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eBrutalist architecture inspires a passionate response, be it adulation or contempt. There is no disputing, however, that the style produces some of the world’s most breathtaking buildings. This landmark volume documents the movement as never before, by profiling the architects behind the style.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing more than 250 historic and contemporary architects (organised alphabetically) along with specially selected examples of their work, this book includes international icons alongside those who are less well known or who have for too long been neglected, providing a unique record of this influential global architecture movement. The book includes 350 stunning images of more than 200 iconic Brutalist buildings, alongside fresh and surprising masterworks from 1936 to the present day, creating the ultimate companion to the Brutalist masters.\u003c\/p\u003e\n\u003cp\u003eFeatured architects include: John Andrews; João Batista Vilanova Artigas; Lina Bo Bardi; Bogdan Bogdanović; Marcel Breuer; Douglas Cardinal; André-Jacques Dunoyer de Segonzac; Bertrand Goldberg; Ernő Goldfinger; Jadwiga Grabowska-Hawrylak; Agustín Hernández Navarro; John M. Johansen; Louis I. Kahn; Denys Lasdun; Le Corbusier; João da Gama Filgueiras Lima; Alberto Linner Díaz; Owen Luder; Paulo Mendes da Rocha; Oscar Niemeyer; William L. Pereira; Affonso Eduardo Reidy; Paul Rudolph; Moshe Safdie; Alison Smithson; Clorindo Testa; Decio Tozzi; and John Carl Warnecke.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cb\u003e\u003c\/b\u003e\n\u003c\/div\u003e","brand":"Phaidon","offers":[{"title":"Default Title","offer_id":51978616570076,"sku":"S03881","price":69.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/Brautalists-brutalism_sbestarchitects0phaidon-owenhopkins.jpg?v=1746837390"},{"product_id":"radical-pedagogies","title":"Radical Pedagogies","description":"\u003cp\u003eExperiments in architectural education in the post–World War II era that challenged and transformed architectural discourse and practice.\u003c\/p\u003e\n\u003cp\u003eIn the decades after World War II, new forms of learning transformed architectural education. These radical experiments sought to upend disciplinary foundations and conventional assumptions about the nature of architecture as much as they challenged modernist and colonial norms, decentered building, imagined new roles for the architect, and envisioned participatory forms of practice. Although many of the experimental programs were subsequently abandoned, terminated, or assimilated, they nevertheless helped shape and in some sense define architectural discourse and practice. This book explores and documents these radical pedagogies and efforts to defy architecture's status quo.\u003c\/p\u003e\n\u003cp\u003eThe experiments include the adaptation of Bauhaus pedagogy as a means of “unlearning” under the conditions of decolonization in Africa; a movement to design for “every body,” including the disabled, by architecture students and faculty at the University of California, Berkeley; the founding of a support network for women interested in the built environment, regardless of their academic backgrounds; and a design studio in the USSR that offered an alternative to the widespread functionalist approach in Soviet design. Viewed through their dissolution and afterlife as well as through their founding stories, these projects from the last century raise provocative questions about architecture's role in the new century.\u003c\/p\u003e","brand":"MIT Press","offers":[{"title":"Default Title","offer_id":46532152426716,"sku":"S03863","price":59.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/RadicalPedagogies-MIT-2022.jpg?v=1746837394"},{"product_id":"x-ray-architecture","title":"X-Ray Architecture","description":"\u003cp\u003e\u003cspan\u003eHow our medical obsessions and the image of the body influence modern architecture. This book explores the impact of medical discourse and diagnostic technologies on the formation, representation and reception of modern architecture. 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