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Known for the beauty and purity of his work, Ludwig Mies van der Rohe built remarkable houses, skyscrapers, museums, and multibuilding campuses. Accompanied by more than 700 drawings, photographs, plans, and diagrams,\u003cbr\u003eMertins’ rich and highly readable text traces the aesthetic and intellectual context for all of Mies van der Rohe’s work, with in-depth discussions of his most important buildings and projects. The clarity of Mies’s architecture belies the diversity of his interests, which included philosophy and science as well as design, and Mertin’s rigorous and accessible text gives the reader a clear description of all the most important of Mies’s buildings as well as the intellectual contexts for their design.\u003cbr\u003eIncludes such buildings as: the Barcelona Pavilion in Spain; the Tugendhat House in Brno, Czech Republic; S. R. 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Combining discourse analysis, historical reconstruction, and close readings of buildings, projects, and texts from the 1970s and 1980s, Reinhold Martin argues that retheorizing postmodern architecture gives us new insights into cultural postmodernism and its aftermath.\u003cbr\u003e\u003cbr\u003eMuch of today’s discussion has turned to the recovery of modernity, but Martin writes in the Introduction, “Simply to historicize postmodernism seems inadequate and, in many ways, premature.” Utopia’s Ghost connects architecture to current debates on biopolitics, neoliberalism, and corporate globalization as they are haunted by the problem of utopia. Exploring a series of concepts—territory, history, language, image, materiality, subjectivity, and architecture itself—Martin shows how they reorganize the cultural imaginary and shape a contemporary biopolitics that ultimately precludes utopian thought.\u003cbr\u003e\u003cbr\u003eWritten at the intersection of culture, politics, and the city, particularly in the context of corporate globalization, Utopia’s Ghost challenges dominant theoretical paradigms and opens new avenues for architectural scholarship and cultural analysis.","brand":"University of Minnesota Press","offers":[{"title":"Default Title","offer_id":46531972792540,"sku":"S04905","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/Utopia_sghost.jpg?v=1752096136"},{"product_id":"sfabf-theo-van-doesburg-principles-of-neo-plastic-art","title":"Theo van Doesburg: Principles of Neo-Plastic Art","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eWalter \u0026amp; Moholy-Nagy, \u003cmeta charset=\"utf-8\"\u003eLászló, eds. | Zurich, Switzerland | Lars Müller Publishers, 2019 | Hardbound | 7 x 9 in. | 68 pp | B\/W illustrations \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePainter, writer, architect, typographer, art theorist and leader of the De Stijl movement, Theo van Doesburg (1883-1931) was one of the great modernist polymaths, and in this volume of the Bauhausbücher, he attempts to make elementary concepts in the visual arts generally comprehensible for a broad audience.\u003c\/p\u003e\n\u003cp\u003eVan Doesburg’s book addresses the “modern artist” of his day, who had to deal with both shifting social paradigms and a changing understanding of art and art theory. Unifying a range of disciplines, van Doesburg describes theory as a necessary consequence of creative practice: artists, he says, “do not write about art but from within art.”\u003c\/p\u003e\n\u003cp\u003ePrinciples of Neo-Plastic Art is a revolutionary synthesis of practice and theory.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eS04491\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Lars Müller Publishers","offers":[{"title":"Default Title","offer_id":46532055269596,"sku":"S04491","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NEW-WI20259384.jpg?v=1770332597"},{"product_id":"sfabf-staatliches-bauhaus-in-weimar-1919-1923","title":"Staatliches Bauhaus in Weimar 1919–1923","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMüller, Lars ed. | Zurich, Switzerland | Lars Müller Publishers, 2019 | Hardbound in graphic dust jacket | 9.75 x 9.75 in. | 226 pp | Color \u0026amp; B\/W illustrations \u003cbr\u003e\u003cbr\u003eIn 1919, the state art school in Weimar was reopened as the Bauhaus, under the direction of Walter Gropius and with a radical new teaching approach. 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Exemplified by the twin pillars of Schindler and Neutra and their respective ideological factions, these two groups of architects represent opposing poles of architectural intentionality, embodying divergent views about the dynamic between interior and exterior, the idea of permanence, and the extent to which architects could exercise control over the inhabitants of their structures.\u003c\/p\u003e\n\u003cp\u003eLooking past California modernism’s surface-level idealization in present-day style guides, home decor publications, films, and television shows, Nothing Permanent details the intellectual, aesthetic, and practical debates that lie at the roots of this complex architectural moment. Extracting this period from its diffusion into visual culture, Cronan argues that mid-century architecture in California raised questions about the meaning of architecture and design that remain urgent today.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"University of Minnesota Press","offers":[{"title":"Default Title","offer_id":46532146168028,"sku":"S03986","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/9746\/1724\/files\/NothingPermanentModernArchitectureinCalifornia-2023.jpg?v=1746837160"},{"product_id":"hollow-city","title":"Hollow City","description":"\u003cp\u003eSurveying the transformation of San Francisco in the early millenium by Silicon Valley, critically acclaimed writer Rebecca Solnit and photographer Susan Schwartzenberg describe the complex interactions that make up a living, creative, diverse city.\u003c\/p\u003e\n\u003cp\u003eOne of our most impassioned and acclaimed chroniclers of American urbanism, Rebecca Solnit explores the impact of skyrocketing rents, architectural homogenization, and the links between artists and gentrification. 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